Poe's Composition of Philosophy: Reading and Writing "The Raven" For most readers "The Philosophy of Composition" is less important as an account of how Poe actually wrote "The Raven" than as a statement of his general poetic theories.
"The Philosophy of Composition" is an written by American writer that elucidates a theory about how good writers write when they write well. He concludes that length, "unity of effect" and a logical method are important considerations for good writing. He also makes the assertion that "the death... of a beautiful woman" is "unquestionably the most poetical topic in the world". Poe uses the composition of his own poem "" as an example. The essay first appeared in the April 1846 issue of . It is unclear if it is an authentic portrayal of Poe's own method.
The poem tells Lit2Go: The Philosophy Of Composition by Edgar Allan Poe 3 Jun 2012 I've been looking for an audio copy of this wonderful 5,000 word essay, and I've just found it.
Hoffman has suggested, as a "put-on": ostensibly a critical essay that becomes another version of the work it purports to critique.4 By conflating the processes of reading and writing so that reading becomes rewriting , Poe subverts the very sort of scientific or mathematical certainty that he seems to be praising and illustrating in his essay.
Generally, the essay introduces three of Poe's theories regarding literature. The author recounts this idealized process by which he says he wrote his most famous poem, "" to illustrate the theory, which is in deliberate contrast to the "spontaneous creation" explanation put forth, for example, by as an explanation for his poem . Poe's explanation of the process of writing is so rigidly logical, however, that some have suggested the essay was meant as a or .
Kenneth Burke, for example, carefully distinguishes between Poe as the author of "The Raven" and Poe as critic of the poem, in order to argue that the essay represents a significant "guide for critics"—indeed, "the ideal form for an 'architectonic' critic to aim at."1 Although Burke does not go as far as Edward H.
In his essay, "The Philosophy of Composition," Edgar Allan Poe writes that in an ideal poem, "two things are invariably required first, some amount 17 Jun 2014 The Raven - Edgar Allan Poe (analysis) - Duration: 6:01.
Davidson, who maintains that to appreciate the essay "one need not know the poem at all," like many other critics, he does separate the essay from the poem.2 Since few critics consider the essay in a context that includes "The Raven," the unfortunate result is that Poe's "Philosophy" is commonly disjoined from the "composition" that forms its pretext.
In the essay Poe challenges those who suggest that writing is a mysterious process Edgar Allan Poe's seven tips for writing stories and poems - Aleph 9 Feb 2015 In 'The Philosophy of Composition' Poe takes the time to explain step by step the elements that make up a good literary work.
Put anothet way, he deconstructs not only his own "philosophy of composition," but philosophy itself—making philosophy essentially synonymous with composition/ Furthermore, the deconstruction to which Poe subjects "The Raven" in "The Philosophy of Composition" can also be observed in the poem itself.
The "philosophy of composition" that Poe describes in his essay depends upon a perfect, logical relationship between authorial intention and what he calls "effect." The intention to produce an effect is always matched immediately, he would have us believe, by the perfect word.
Such people live in a limited world of imagination; accepting uncritically the valuesof common folklore, and always preferring to have their naive beliefs, feelings, and prejudicestickled, rather than to enjoy a purely aesthetic and philosophic pleasure arising from discrimination,contemplation, and the recognition of austere absolute beauty.
His entire philosophy is embedded in the belief that an external presence shapes and influences the spiritual, intellectual, and physical elements of the individual....
The essay states Poe's conviction that a work of fiction should be written only after the author has decided how it is to end and which response, or "effect," he wishes to create, commonly known as the "unity of effect." Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including , , , , , and . In this case, Poe logically decides on "the death... of a beautiful woman" as it "is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover." Some commentators have taken this to imply that pure poetry can only be attained by the eradication of female beauty. Biographers and critics have often suggested that Poe's obsession with this theme stems from the repeated loss of women throughout his life, including his mother , his foster mother Frances Allan and, later, his wife .