In the last chapter of
Slaughterhouse-Five, Kurt Vonnegut leaves us with these brief
paragraphs that one would think pushes for peace as a last ditch
attempt if nothing else in the book got through:
Robert Kennedy, whose summer home is eight miles
away from the home I live in all year round, was shot
two nights ago.
Annie Dillard and Kurt Vonnegut have given wonderful examples of how these interpretations can differ in their respective books A Pilgrim At Tinker Creek and Slaughterhouse-Five....
In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future.
Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny....
Slaughterhouse-Five, the character Kurt Vonnegut explains to Mary O’Hare, is intended to be an anti-war novel, and he says that it shall also be called The Children’s Crusade because of the effect it had on young men who fought in the war.
Author Kurt Vonnegut endorses this view in his novel Slaughterhouse-Five; he shows that war can never be justified as long as innocent life is lost....
Kurt Vonnegut’s work on the Slaughterhouse-five and Catcher in the Rye are regarded as some of the best literal works on the demonstration of the link between the lives of the lives of the authors and the stories resented in the novels. This review aims at discussing Kurt Vonnegut’s life in relation to his novels – Slaughterhouse-five and Catcher in the Rye.
Section Two- Critical Commentaries
Kurt Vonnegut's work is nothing new to critics, but
Slaughterhouse-Five is considered to be his best work.
Slaughterhouse-Five is a personal novel which draws upon Vonnegut's experience's as a scout in World War Two, his capture and becoming a prisoner of war, and his witnessing of the fire bombing of Dresden in February of 1945 (the greatest man-caused massacre in history).
It is within the backdrop knowledge of the bombing that the dark world of slaughterhouse-five emerges. The innocent character of Billy Pilgrim is reflected as a young innocent man caught up in confusion beyond his personal reflection. Another concept that the author has used to in the Slaughterhouse-Five to mirror his personal life is the concept of time. Kurt Vonnegut has therefore used the concept of time to answer the fundamental question – What is the purpose of life? Like any good existentialist in the league of Vonnegut, he has put himself comfortably in the shoes other renowned writers like Barth and Borges.
In insisting between the world of fiction and fantasy (Tralfamadore) and the world of brutal fact (Dresden), Vonnegut’s novel portrays the link between the novel and the personal life of the author. It can be discerned that Vonnegut shares the same theory with Louis-Ferdinand Celine from attitude about art and life by saying that “No art is possible without a dance with death….the truth is death” (14).
Slaughterhouse-Five is an anti-war novel because Vonnegut, the character, says it is in the first chapter, because it depicts the terrible long-term effects the war has on Billy, and because it exposes war's devastating practices....
It can be discerned that we have the capacity to view within ourselves the suppressed elements that encompasses the life of Holden. The author of the Catcher in the Rye has thus effectively used imagery to present a fascinating side of his past life to the reader. This has been effectively achieved by the application of imagery, concept of time and an enlightening description of our human condition. In conclusion, both Vonnegut and Salinger have effectively presented their personal lives through the application of imagery. The successes of these two literal works have been achieved by the careful and intrinsic dissection of the authors’ lives through different perspectives.
Check your paper » Analysis of Kurt Vonnegut's Slaughterhouse-Five
Section One- Introduction
Slaughterhouse-Five, written by Kurt Vonnegut Junior, was
published in 1968 after twenty-three years of internal anguish.